I really like this structure - the episodes are playable in several hours each, and the tighter plotting imposed by the chapter structure lends itself to better storytelling. These chapters can be played independently, so if one gets hopelessly stuck, one can just start at the beginning of the next chapter, giving even novice players a chance to experience most of the story. And it is indeed - there are still some tricky and obscure puzzles, but the design prefigures the modern episodic adventure era by dividing the story into six chapters, each a complete adventure in itself. As opposed to the realistic drawing style of all the preceding game, it has brightly colored visuals reminiscent of Walt Disney cartoons.Longtime readers will observe that it's taken me a while to get around to this one, largely because I found myself fervently hoping it would be shorter and less convoluted than the (in my opinion) overblown King's Quest VI. The game is divided into chapters, alternating between the queen and the princess as protagonists. It discards the icon-based interface of the two previous installments, and instead features a simplified "smart cursor" used for general interaction with highlighted objects and characters, as well as significantly fewer text descriptions. Like its predecessors, King's Quest VII is an adventure game primarily based on solving inventory puzzles. They must find each other and eventually defeat an evil sorceress who plots to ruin the land. The two end up in different parts of a land known as Eldritch, with Rosella being transformed into a troll. However, the young princess seems to be more interested in adventure, recklessly following a mysterious magical creature into a whirlpool that eventually transfer herself and her mother to another world. Queen Valanice of Daventry has always thought that getting married would be the best course of action for her daughter Rosella.
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